3 from Seven Hundred Penguins

For book design geeks like us, it doesn’t get any better than the recently published Seven Hundred Penguins.

I won’t turn this into the Seven Hundred Penguins blog, but I will occasionally take some photos and post them here (yes, scans would be nicer, but this book is not getting smushed onto my scanner). I needed a good laugh today, and all of these brought a smile to my face.

Photograph by Tony Palladino (1968)

Photograph by Brian Worth
Design by Brian E. Rockett (1967)

Design by Erwin Fabian (1960)

3 from Seven Hundred Penguins

Louis Armstrong and Johnny Cash?

Yes, Louis Armstrong and Johnny Cash! They’re performing “Blue Yodel No. 9,” which Armstrong recorded with The Singing Brakeman, Jimmie Rodgers, and pianist Lil Hardin Armstrong, on July 16, 1930, in Los Angeles.

This recreation is from The Johnny Cash Show, first broadcast on October 28, 1970. According to Michael Minn’s Louis Armstrong Discography, Armstrong’s appearance on this show marked his return to the trumpet after a two-year health-related hiatus. Listen for the gently bouncing trumpet phrases from 4:14 to 4:19: that’s the sound of a genius at work.

Blue Yodel No. 9 (YouTube)

Related post
Invisible man: Louis Armstrong and the New York Times
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Louis Armstrong and Johnny Cash?

Soundcheck's CD Picks of the Week (Soundcheck: Tuesday, 23 October 2007)

Each week, the Soundcheck staff digs through their inboxes for the best, catchiest, or strangest music they can find. Here are Soundcheck’s pick for the week ending Oct. 26.

Various Artists, “Sonic Rebellion: Alternative Classical Collection” (Naxos)
If you’re looking for an introduction to modern music landmarks from the past 50 years, you could do worse than this collection. Ignore the cheesy cover and some questionable edits (who knew Terry Riley had a fade-up on his minimalist landmark “In C?”). Then, geek out on short pieces by Cage, Wuorinen, Varese, Crumb, Nancarrow, and a dozen others. –Brian Wise

“Sonic Rebellion” is available for purchase at Amazon.com

Orishas: “Antidiotico” (Universal Music Latino)
This Grammy-winning trio is a hip-hop group of Cuban expats who live in Paris, Milan and Madrid. Their fourth album blends boleros and rumbas with rap and pop. It makes you move … and it provokes, tackling everything from racism to immigration to the Buena Vista Social Club. –Gisele Regatao

“Antidiotico” is available for purchase at Amazon.com

Ben Perowsky’s Moodswing Orchestra: “Volume Two” (El Destructo)
This project from New York-based drummer Ben Perowsky is full of spacey trip-hop beats, oozing bass lines, and the occasional typewriter. In other words, this is late-night, bedroom-recording-studio stuff. Perowsky assembled lots of friends for this odd, but beautiful record, including Cibo Matto’s Miho Hatori, bossa nova singer Bebel Gilberto, and Joan Wasser of the indie group Joan as Policewoman. –Joel Meyer

“Volume II” is available for purchase at Perowsky.com

Grand Valley State University New Music Ensemble, “Steve Reich: Music for 18 Musicians” (Innova)
Out in the farmlands of Allendale, Mich., Bill Ryan, the director of GVSU’s new music group, decided to have his all-student, all-volunteer band learn to play Reich’s 1976 masterwork – long considered one of the most challenging pieces in new music. It was a labor of love –- intense, obsessive love –- and they not only learned to play the piece, they learned to play it well. – John Schaefer

GVSU’s recording of “Music for 18 Musicians” is available for purchase here.
Soundcheck’s CD Picks of the Week (Soundcheck: Tuesday, 23 October 2007)

What I found out on set on other films is, what makes a crew really roll is when the director makes decisions very quickly and very straight. What confuses a crew and actors is when the director is a little bit like, “I’m not sure what to do there.” The minute you’re confused, you lose everybody. But what’s funny is, I didn’t have to push myself too hard—I was never confused. I was always pretty strong and knowing exactly what I wanted to do, and when I didn't—when I had a moment where I didn’t know exactly what to do, I pretended I did. Which made the crew entirely follow me.