Did Jesus complain? Did Jesus complain?
Did Jesus complain? Did Jesus complain?
“Last Sunday I casually wrote a post about the most common pitfalls in photography. I had written the post a long time ago, but I never put it on this site. The story ended up on the front page of Digg, stayed there for nearly 12 hours and was picked up by a bunch of secondary sources, resulting in 100,000 Visitors within a day (most of them within the first 12 hours). Trying to keep my server up and alive, I learned a lot about what it takes to keep the server alive, hence I decided to slide a non photography related post in, hopefully giving everyone who finds themselves in a similar situation some points to consider.”
Sadly the Dutch are turning back:
In cities across the Netherlands, mayors and town councils are closing down shops where marijuana is sold, rolled and smoked. Municipalities are shuttering the brothels where prostitutes have been allowed to ply their trade legally. Parliament is considering a ban on the sale of hallucinogenic “magic mushrooms." Orthodox Christian members of parliament have introduced a bill that would allow civil officials with moral objections to refuse to perform gay marriages. And Dutch authorities are trying to curtail the activities of an abortion rights group that assists women in neighboring countries where abortions are illegal.
The very interesting article ascribes these tendencies to growing unease about globalization and immigration. Here is another shift of opinion:
"In the past, we looked at legal prostitution as a women’s liberation issue; now it’s looked at as exploitation of women and should be stopped,” said de Wolf, sitting in the offices of the medical complex where he works as an HIV-AIDS researcher.
This article can be read as illustrating many different points of view. I’ll start with two points. First, people [voters] need to feel they are in control, even if they indulge this preference irrationally. Second, Europe will sooner become like the United States than vice versa.
I usually forget to sign the back of my credit cards. Or with one of my cards – the one I use most frequently – the signature rubs off quickly. Every now and then the card will be rejected because it doesn’t have my signature on it. Or they will require ID.
I then offer to sign the card, but they never accept this possibility. Hrrmph.
Could not a thief have signed a previously unsigned card before using it? In fact I would expect precisely that behavior from a thief. Wouldn’t a thief take more care to sign than would a lazy, careless card holder? Upon seeing the unsigned credit card, their estimate of my honesty should go up not down.
I have wondered why it ever makes sense for cards to be signed. If you sign a card and it is stolen, can they not forge your signature more rather than less easily? (Imagine signing into one of those signature-reading machines.) And if merchants were more rational, maybe the signature would carry no positive value in the first place.
See you at MOCCA.
Blah Blah Blah
This is a book about authority, order, information and knowledge – the evolution of the latter and the limitations imposed by the former. This hyper-intelligent journey through the history of classification (ex; library card catalogues) and the current climate (ex; tagging) makes an engaging case for the virtues of seemingly counterintuitive “messiness.” The anecdotes are lively, and the range of subjects is satisfying and entertaining: Dewey’s Decimals, our silverware drawers, Hamlet, the Federal Highway Administration, Wikipedia, intertwingularity, our family photo albums, and Darwin. Reading this reminded me how wonderful it is to be witnessing the development of new ways of collaborating and why we should all stay tuned in to see where all of this is headed. Whether you’re a skeptic or a steadfast believer in the great promise and possibility of the digital, these are ideas worth visiting. The “Social Knowing” chapter alone should be mandatory reading for all teachers.
– Steven Leckart
Everything is Miscellaneous: The Power of the New Digital Disorder
2007, 288 pages
Available from Amazon
Imagine two people editing and reediting a Wikipedia article, articulating their differences on the article’s discussion page. They edge toward an article acceptable to both of them through a public negotiation of knowledge and come to a resolution. Yet the page they’ve negotiated may not represent either person’s point of view precisely. The knowing happened not in either one’s brain but in their conversation. The knowledge exists between the contributors. It is knowledge that has no knower. Social knowing changes who does the knowing and how, more than it changes the what of knowledge…As people communicate online, that conversation becomes part of a lively, significant, public digital knowledge - rather than chatting for one moment with a small group of friends and colleagues, every person potentially has access to a global audience. Taken together, that conversation also creates a mode of knowing we’ve never had before. Like subjectivity, it is rooted in individual standpoints and passions, which endows the bits with authenticity. But at the same time, these diverse viewpoints help us get past the biases of individuals, just as Wikipedia’s negotiations move articles toward NPOV [neutral point of view]. There has always been a plentitude of personal points of view in our world. Now, though, those POVs are talking with one another, and we can not only listen, we can participate. For 2,500 years, we’ve been told that knowing is our species’ destiny and its calling. Now we can see for ourselves that knowledge isn’t in our heads: It is between us. It emerges from public and social thought and it stays there, because social knowing, like the global conversations that give rise to it, is never finished.
The Greeks assumed that the cosmos is perfectly ordered and arranged; the word cosmos itself means both “all that is” and “beauty.” Pythagoras therefore figured that the distance between the planets must reflect the order and harmony of the universe. But harmony is based on mathematics: Divide a string into the ratios 2:1, 3:2, 4:3, or 5:4, pluck it, and you hear something beautiful. So, Pythagoras reasoned, the heavenly spheres must fall into those ratios. Since they move, they must also make sound as they whir, a sound that must therefore be harmonious and beautiful. We’re not aware of the second because we’ve been hearing it since birth. It’s become background “noise.” Thus did the Greeks deduce that we must all live within an unheard beauty.
Now that everything in the connected world can serve as metadata, knowledge is empowered beyond fathoming. We not only find what we need based on whatever slight traces we have in our hand, we can see connections that would have escaped notice in the first two orders. The power of the miscellaneous comes directly from the fact that in the third order, everything is connected and therefore everything is metadata.
“I don’t need an A-plus. I’m happy with an A.”
Melvyn Bragg’s In Our Time newsletter reproduced this fascinating document from WWI war hero and poet Siegfried Sassoon, denouncing the conduct of the war at great personal risk. It was originally printed in The Times in 1917.
I am making this statement as an act of wilful defiance of military authority, because I believe that the war is being deliberately prolonged by those who have the power to end it. I am a soldier, convinced that I am acting on behalf of soldiers. I believe that this war, upon which I entered as a war of defence and liberation, has now become a war of aggression and conquest. I believe that the purposes for which I and my fellow-soldiers entered upon this war should have been so clearly stated as to have made it impossible to change them, and that, had this been done, the objects which actuated us would now be attainable by negotiation. I have seen and endured the sufferings of the troops, and I can no longer be a party to prolong these sufferings for ends which I believe to be evil and unjust. I am not protesting against the conduct of the war, but against the political errors and insincerities for which the fighting men are being sacrificed. On behalf of those who are suffering now I make this protest against the deception which is being practiced on them; also I believe that I may help to destroy the callous complacence with which the majority of those at home regard the continuance of agonies which they do not share, and which they have not sufficient imagination to realize.
This Design Observer post about who is reading all those books went over some familiar ground ("explosion of information" = "ignorance about more things") and elicited some good comments. The crux of the post was to answer this question:
Why keep on with the work of traditional publishing when the Internet would seem to provide a much more efficient means for reaching people? What is it about the book, pamphlet and magazine formats that continue to lure publishers onto the rocks of insolvency?
It's a good question. Control of the design and sheer love of the physical object are two compelling reasons. (I really can't imagine Bryan Talbot's eye-popping Alice in Sunderland as multimedia object--it just works and feels so complete as a book.)
One of the more interesting answers was that the authors use their small print runs to trade books back and forth with other authors.
Such books function primarily as a currency within the network of other artists, other publishers, and other designers who share their particular sensibility.
Does this sound like zine fandom or what? Or maybe link exchanges in the blog world? The intent being to create a community and start a conversation among members of a self-chosen tribe.
Perhaps it's also those members of our modern digital media culture looking in the rear view mirror at what's receding into the past. Hence the burst over the last 10 years of books about books and reading (though such objects have always been a part of literate culture, just as the theater and movies abound in stories about backstage dramas).
It all reminds me of an Isaac Asimov essay about the perfect entertainment cassette that would be physically comfortable to hold and use, in any lighting, allowing one to start or stop it at any point, rewind or fast-forward and then return to one's present location immediately, and so on. Of course, this perfect cassette is a book.
It also puts me in mind of the astonishing success of Lulu.com and the craftspeople I see selling handmade paper and blank books. There's still a need for the physically beautiful and tactile in us, which the vaporous digital ether can't compete against. (When the next hurricane comes and takes out my electricity for 5 days, will I pass the time reading an e-book or a real book?)
Instead of deleting the default post when starting a new WordPress blog, why not accept the cheery default title and pronounce this new blog well and truly open for business.