Oddments of High Unimportance

We’re downsizing in preparation for moving house in a couple of years. To that end, all those boxes in the attic and all those projects in the closet now have to be reckoned with. We thought we’d get to them “someday.” And so, right on its own schedule, “someday” has arrived.

From the attic, the first thing we’re doing is pulling down boxes and boxes of yearly receipts, tax returns, etc. I spent one afternoon sorting through 1990 and 1992 receipts: so much paper! Checkbook stubs, pay stubs, bills for utilities, credit card, medical receipts, &tc.

And it was astonishing to me to see how often my social security ID was used as an identifier on my bank statements, on some medical statements, and a few other items. I’m keeping the last 7 years of required receipts and tax returns, but am tossing the rest and shredding any paper with personally identifiable information.

We try, every weekend, to go upstairs and bring down one or two boxes of old papers or memorabilia to sort through and make decisions about. Usually I bring down a box for me to process and one for Liz. The goal is to not return anything to the attic. If it’s staying, it’s going into a sturdy, clear bin that will stand up over time better than old paper boxes.

The attic run is turning into an every other weekend trip, but still — one must start and keep starting.

As for my two office closets … One holds a giant metal 4-drawer filing cabinet, with a shelf of miscellaneous tech, software, stationery, and the like. I’m saving that closet for another day.

The second closet holds a shelf of blank books (I have way too many blank books) and binders (I went through a period where I binderized my progress on projects or collected info on specific topics into binders); a bookcase with books, old journals, Tarot decks. &tc.; a couple of bankers boxes of comics; a pile of backpacks, gym bags, and duffle bags “just in case”; and a set of shelves holding our combined vinyl collection and CDs. There may even be cassettes there, but I haven’t looked closely.

One of my 2019 winter goals is to digitize the vinyl. When we moved to this house in 1995, we had shed many of our albums but kept just as many. I had a very nice Sony turntable for a bit in my office but used it very little. There was no convenient way to listen to the old albums. And digitizing albums with the PC and Mac computers I had over the years was more trouble than it was worth. I gifted the turntable to a co-worker.

Late last year, my banjo teacher gifted me with a USB turntable he was not using. Hooking it up to my big iMac was easy, and there’s plenty of room on the desk to hold both. There is also much better software and guidance these days on digitizing vinyl than when I tried before.

I will wallow in the vinyl-digitizing swamp for a few days until a repeatable workflow emerges, at which point I’ll document it here.

As for the binders, the CDs, the books … in their own time.

I love Oliver Burkeman’s weekly look at what’s trending in the self-help world. His New Year’s Resolutions column is typically sensible: pick your battles.

txt.fyi:

Write something, hit publish, and it's live.

There's no tracking, ad-tech, webfonts, analytics, javascript, cookies, databases, user accounts, comments, friending, likes, follower counts or other quantifiers of social capital. The only practical way for anyone to find out about a posting is if the author links to it elsewhere.

Allen Jacobs notes in his newsletter that it appears you can’t edit what you’ve posted or take it down.

What you publish is also not scraped by the search engines. So, as the site says, “you can scream into the void and know the form of your voice is out there forever.“

Nielsen-Norman Group UX study conclusion:

This compulsion to fill the silence is related to the Vortex phenomenon, which refers to people’s lack of control over the amount of time they spend online, due to continuous digital temptations that pull them deeper and deeper into interacting with their devices. As people feel the need to fill every single empty moment, they are more and more drawn to their devices, as an easy way to satisfy that need.

I love my iPhone SE, but I have noticed recently how it has become a fidget device. In a theater waiting for the movie to start, at a pub waiting for our drinks, in the grocery store checkout line. I check it knowing that there will be nothing new to see and nothing I can do about it even if there is something new.

I’m noticing those moments more often, which I consider a good sign. When I notice that I’ve “woken up,” I put the phone down or back in my pocket, breathe, look around, and let whatever thoughts want to float by, float by. I remind myself to be grateful for where I am now. Nothing bad has happened yet.

(Via Allen Jacobs’ email newsletter)

From the final pages of Michael Perry’s Montaigne in Barn Boots: An Amateur Ambles Through Philosophy.

He quotes from Montaigne on one of his abiding meditations, death: Death, it is said, releases from all our obligations.

This phrasing…,with its use of the word releases, implicates us in our duty while we remain among the living. Montaigne may have retired to his castle, but he did not retire from every duty. “When he contrasts the solidity of acts with the futility of words,” wrote Starobinski, “he accepts the traditional moral teachings and opts for acts.” Even after he began essaying he continued to serve as a soldier, an advisor, and the mayor of Bordeaux. Even as he lay dying he had agreed to travel to Paris to counsel the king in some affair of state. “The world is inapt to be cured,” he wrote, but never forget he stood on that world, and forsook it at his own peril. I read Montaigne in my room above the garage and think I better start speaking up more. That I should make a few more ambulance calls. Take up the cause of uncertainty, if nothing else. If reading and writing about Montaigne has taught me anything, it is not that I am on some path to perfection where I never again grab the [electric] pig fencer. Montaigne is the pig fencer, jolting me out of my absentminded musing and into the recognition that through the examination of our imperfections I can better serve my obligations to others.

That, above all, is what I take from Montaigne.

I am obligated.

I must do better.

The only thing more fun than reading Montaigne, it seems, is reading what others say about Montaigne. (1) His admirers pop up when and where one least expects.

For example, Sarah Bakewell’s 2010 book How to Live: Or A Life of Montaigne in One Question and Twenty Attempts at an Answer was a bestseller that probably took everyone, including Bakewell, by surprise.

And over the Christmas break, I read Michael Perry’s 2017 Montaigne in Barn Boots: An Amateur Ambles Through Philosophy. Perry is a Wisconsin-based writer/musician/farmer/volunteer fireman/humorist and probably two or three more slash-somethings by now.

The Milwaukee Journal Sentinel’s review nicely recaps the book and highlights one of the best things about it: how Perry’s easy and personable approach so nicely matches Montaigne’s. Just as Montaigne took his instruction and sustenance from the ancient philosophers he read and quoted, so Perry draws from Montaigne’s life and essays some essential lessons for his own life.

Perry the Humorist makes himself known often with anecdotes and memories, capping sentences and paragraphs with quips aimed at the back seats. I got a bit wary sometimes, recognizing when he was winding up for a pitch. But when Perry the Writer and Perry the Man wrestle with issues of weight — relationships with family and neighbors, responsibility, bodily and emotional pain, ego, leading a life of integrity along with the costs that that decision imposes — Perry’s own essays achieve a solidity and a quiet authority. Montaigne and Perry speak for themselves, and by doing so, give voice to many others. Both men are flawed; both are always trying to do better.

Montaigne in Barn Boots is not a biography; Bakewell has done that. Perry’s book is something to me that is more interesting: an intelligent person riffing on a classic from the past to help him live better for the future, laid out for us in the style and manner of his personal patron saint. I loved it.

(1) Or what Montaigne says about himself. My own personal favorite Montaigne book is Marvin Lowenthal’s The Autobiography of Michel de Montaigne, which stitches together Montaigne’s writings from the essays, letters, and other documents, to create a chronological self-portrait that is sometimes more fun to read than the essays. Montaigne’s essays and the Tao te Ching would probably be my desert island books (but don’t ask me to pick only one translation!).

My typical New Year’s Day tool for many years has been selecting a Word of the Year, most often using Christine Kane’s process. This year, I already knew that my word would be Bold, as that is my current coach Mary Schiller’s word for the year. Bold is not how I think of myself; so it expresses a quality I want to call forth from myself this year.

But since I trust other peoples’ processes more than my own, I also pluck fruit from others’ gardens, give them a sniff, and see if they’re worth a taste.

One idea I liked came from a Michael Neill post on how he went about defining his most enjoyable year yet. The questions that prompted his imagination were:

Imagine it’s one year from today and you’ve had your most enjoyable year yet… 

What’s happened? What have you done? What’s different in your life now?

I started daydreaming about those questions and hit a wall pretty quickly. It’s similar to what happens when I’m asked what I want for my birthday or Christmas — I go blank. I have such a (it seems to me) dreamy temperament that I can’t think of wanting anything more than going with, or at least keeping up with, the flow. Which is kind of counter to the idea of Bold.

Then I remembered a Mark Forster technique for shaping vague goals into more actionable ideas. Namely: start with something you don’t want, then transform it into a positive. The essentials of a clearer goal or plan may emerge from this more productive line of questioning. So: “I don’t want a long commute” could be positively stated as “I want to live closer to my workplace” or “I want to work remotely from my home.”

From all this mental churn came the idea of asking myself what do I want more of in 2019 and what do I want less of. I had a clearer idea of ways I did not want to behave, or activities I did not want to fill my time with. That made it easier to define what I would prefer to do with the year ahead.

I filled about a page and a half in my journal on this so I’ll put only a few here. We’ll see if this is a list that lasts longer than the typical New Year’s resolution.

Eddie Smith, from 2016:

Modern survival is antithetical to everything evolution programmed us for. Today we have to:

1. Eat much less than is available

2. Move much more than we have to

3. Take many more daily risks than we have to

Today, complacency is the tiger rustling in the bushes. Vulnerability is the key to longevity.

Too often, I equate vulnerability with fragility. They’re not the same thing.

Sophie McBain: 

There is no space for unnecessary detail. It also takes only a few minutes to write, making it the perfect journal for people with busy lives, short attention spans and limited self-discipline.

I just finished keeping a 5-year diary and this article prompted me to restart it. One of the more mundane but helpful uses I found for it was tracking the movies/TV series we saw each year, each book I read, etc. When I look back at the list of 2012 movies, I find I cannot recognize a majority of the titles. Most of the movies we see — and their titles — are not that memorable.

I wonder why people who advocate keeping a journal feel the need to cite research on the beneficial effects of keeping a journal. Since McBain is writing for publication, she probably had a word count to hit beyond the simple telling of her story and what she found beneficial.  Still, I have the feeling that keeping a record of one’s days is something one is internally prompted to do because they want to do it. Keeping a journal because you think it will be good for you is like buying a treadmill to lose weight; both objects very quickly become tombstones in the cemetery of good intentions.

I found that, even with my limited self-discipline, I could not maintain a daily diary practice. I tended to more easily record the details of visitors, events, trips, and so on. Re-reading these brief entries sometimes call forth memories, emotions, and sensations I did not know I had.

But too many of my days were mundane — the daily work routine, the commute, nothing of note that was worth noting. I suspect I was making the diary a too-literal record of my day. If I hit a day where nothing much happened, then I think I will fill the space with something. Anything. Three gratitudes, a quote, my state of mind, a haiku, a doodle. Every day a line.

Driving down backroads from the Jordan Lake Christmas Tree Farm, we passed a white clapboard church with a gravel parking lot and a graveyard. On my thematic purity rating for backroad country churches, it rated a 9 out of 10. (Points are deducted for paved parking lots, brick churches, and modern architecture.)

But the sight made me wonder: what’s the difference between a graveyard and a cemetery?

We learn from Jakub Marian that for centuries, burials were the province of the church; thus, part of the church property was dedicated to yards with graves. Graveyards are therefore associated with churches.

But as the population grew, the need for burial sites exceeded the churches’ capacity. Towns and cities established much larger, standalone burial sites separate from churches and called them cemeteries.

So, as Marian says, a “graveyard is a type of cemetery, but a cemetery is usually not a graveyard.“

Cemetery is the older word, a Latinate form of the Greek koimētērion “dormitory,” from koiman “put to sleep.” According to Marian, graveyard is a later word that derives from the “Proto-Germanic *graban, meaning ‘to dig,’ and it is related to ‘groove’ but not to ‘gravel.’”

There is something satisfyingly heavy, sonorous, and Anglo-Saxon about the plainer “graveyard” — with overtones of solemnity (“a grave aspect”), the long and short “a” sounds bridged by that vibrating “v”, the hard ending of that “d.” The word’s sound and its image are well-matched. Cemetery is almost too pretty a word for what it describes.

[We recently toured the nearby Maplewood Cemetery, courtesy of Preservation Durham. Three large city-sized blocks of burial sites, mausoleums, funeral urns, and the like; you see the history of Durham’s street names in the headstones. When the cemetery was established, it was on the outskirts of a small town; now, a growing city surrounds it with apartments, subdivisions, commerce, churches, and a bit of Duke Forest. A portion of each block was set aside for a Potter’s Field, and — it perhaps goes without saying — the rich and well-to-do’s plots are always on higher ground.]