You can’t change anything by fighting or resisting it. You change something by making it obsolete through superior methods.
Buckminster Fuller
Unpacking my library - FT.com
James Wood: “I deface nearly all my books, with both annotations in ink, and lots of dog-earing. I also write to-do lists in the endpapers, or telephone numbers, or names of people I must email. These latter often prove more interesting than any of my literary comments: years later, I stare at them, trying to work out who these people were.”
Unpacking my library - FT.com
From Postsecret blog
Plus, the more I talk to animators the better I realize that each movie is like a whole new software product, and that the tools are designed to function for a specific shop floor and a specific kind of craftsman. A Ferrari factory has the staff, materials, and skills to make anything…except a Lamborghini.
When my grandmother—whose reading was limited to the Bible and Guideposts, and whose life was circumscribed by the tiny yard around her tiny house in tiny Colorado City, Texas—died 20 years ago, I was pierced, not simply by grief and the loss of her presence, but by a sense that some very particular and hard-won kind of consciousness had gone out of the world. Hers was the kind of consciousness that is not consciousness as intellectuals define it, but is passive rather than active. It allows the world to stream through you rather than you always reaching out to take hold of it. It is the consciousness of the work of art and not necessarily of the artist who made it. People, occasionally, can be such works, creation streaming through them like the inspiration that, in truth, all of creation is.
You don’t get to be a good screenwriter unless you do 20, 30 drafts: fact. I know this because I have written many drafts and given them to Richard Curtis, only for him to gently take me for a cup of tea and say: “Now, Lenworth, let’s have a look at exactly how crap this is.”