The Guardian web site runs an online gallery of pictures or images on a theme. The movie posters here reflect the thaw under Khrushchev, though some of the movies themselves continued the East vs. West propaganda struggle and the rightness of the Soviet path. A few evoke Socialist Party poster images but you can see the designers straining for a bolder, more experimental style.
They don't quite shake a literalism to the human figure and most lack a strong central image to anchor the composition. By contrast, Saul Bass's striking poster designs for Vertigo and Anatomy of a Murder make bold statements that stop you dead and evoke a sense of the movie without directly illustrating an event. The Soviet posters feel more tentative, yet there is a quiet mood and craft to some of them that invite the eye to stop and linger.
<a href="https://www.theguardian.com/artanddesign/gallery/2018/apr/21/soviet-film-posters-of-the-50s-and-60s-in-pictures"><img src="http://tempblogfood.files.wordpress.com/2019/08/d8c2f-blackseagull.jpg" alt="" /></a>
I love the red and black contrasts of 25 Baku Commissars, the scratchboard effect of Black Sunglasses, and the leaf-print/snowflake designs surrounding the couple in Young and Green.
But if I had to pick one to take home with me and put on a wall, I think it would be Black Seagull: the image's woodcut nature, the contrasting black-and-yellow palette, the stiff lines of the dress folds indicating movement, the primacy of the female image as the plane draws near -- they all get my attention.