Finished reading: An Old Woman’s Reflections by Peig Sayers π
Life on Great Blasket island, three miles off the west coast of Ireland, was hard and cold, with a meager living scratched out from the ground and the sea. Life in the 20th Century was as primitive as it had been in the 19th and 18th. Among other effects of this isolation was the community’s continued reliance on Gaelic to pass along its rich oral tradition of history and folktales. The island never had more than 150 or so inhabitants and was eventually abandoned in 1953.
Oxford University Press published a series of seven books of Great Blasket memoirs and reminiscences. Peig Sayers was hailed as one of the island’s great storytellers. Her book is a collection of transcriptions of stories written down for her by her son, stories she remembered from others’ telling and stories of what happened to herself.
It took a while for me to get into the rhythm of the book; these stories were meant to be told, of course, not written. When she quotes poetry, the words are transcribed into English as lines of unrhymed prose, so there is a natural loss of emotion and power. And I’m sure the music and rhythms of her speech, the way she would tell the story, would make these reminiscences come alive in a way that they don’t on the quiet page.
Still, as descriptions of a time and place long gone, I was fascinated by the details of the lives they led and the characters she knew. Since we can’t recapture the experience of Peig’s storytelling on the page, here’s a description of the effect they had on a neighbor who had actually sat around her fireplace and heard her stories:
Often her thoughts would turn to sad topics; she might tell, for instance, of the bitter day when the body of her son Tom was brought home, his head so battered by the cruel rocks he had fallen on from the cliff that his corpse was not presentable to the public. So Peig, with breaking heart, had gathered her courage together and with motherly hands had stroked and coaxed the damaged skull into shape. ‘It was difficult,’ she would say; and then, with a flick of the shawl she wore, she would invoke the name of the Blessed Virgin, saying ‘Let everyone carry his cross.’ ‘I never heard anything so moving in my life,’ a Kerryman confessed to me, ‘as Peig Sayers reciting a lament of the Virgin Mary for her Son, her face and voice getting more and more sorrowful. I came out of the house and I didn’t know where I was.β