Oddments of High Unimportance


Stevereads

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Stevereads tackles the history of the first Star Trek books, which were collections of stories from the original series. I well remember being mesmerized by the covers and the thrill of reliving this series, whenever I liked, in book form. (Man, I'd have loved Wild Wild West novelizations too!) (interesting that those two shows were contemporaneous). Just seeing those images of worn and creased covers parts a veil in my heart and I am 11 years old and standing in front of a shelf of books at Crabtree Valley Mall's Walden Books (it was two words back then) and calculating how I could get every one of those books for my very own. The nascent collector and hoarder of books was born.

Steve Donoghue has apparently been around since the days of the first Trek fanzines and writes with authority not just about that era of human achievement. He seemingly does nothing but read and writes -- with charm, vigor, intelligence, shrewdness, and a wicked sense of humor -- about what he reads. What I love about his blog (and what has moved his posts high in my Google reader feeds) is his catholic taste in subject matter: popular magazines, comics (he's a Legion of Super-Heroes fanboy), foreign literature, Elizabethan/Victorian/Edwardian literature, and -- probably his most cherished category -- historical fiction and literature, especially Tudor-era novels. Click on any month under his Archives link and wallow in the variety and types of reading matter this fellow ingests. It makes me wonder how much he reads that he doesn't write about.

In addition to his blog, he contributes reviews to Open Letters monthly site, for which he is an editor. Recently, he wrote a long and satisfying post on Pindar, encapsulating not just the era in which Pindar wrote, but what makes Pindar worth knowing about and reading about.

But though every post promises something new I've probably never heard of before (I've added many a book to my Amazon wish list based on Steve's recommendations), it's the barbed wit that keeps me coming back. Here's one of my favorites from his Star Trek books post:

Fans ate it up, and by this point they had guaranteed the continuation of their own feeding in the only way that ever guarantees such things: they put their money where their mouth-breathing was.

Read any of his Vanity Fair or GQ posts for drive-by snipings of this week's celebrities.

And while I enjoy his whimsical reading projects - such as his reviews of romance novels on which cover model Paul Marron appears -- I like that he doesn't shy away from tackling more worthy subjects. He recently gave the National Geographic a right thrashing for its King Tut cover story and laments Christopher Hitchens, in several senses of that word. And he's not forever carping or sniping, though lord knows, there always seems to be more bad than good out there (especially in the penny press).

I enjoy his clear-eyed appreciations and opinions of well-known authors or classic works, such as Dracula and his hellspawn, Gore Vidal's essays, Howard's End and on and on. But I particularly enjoy his touching appraisals of quixotic little books that were sent out as letters in bottles, and whose delicate and touching messages found in Steve the perfect reader.


Assorted links

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Lewis Shiner and the Fiction Liberation Front

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Friend and colleague Lewis Shiner is a writer and novelist who has been releasing his fiction on the web for the last few years. Here's an appreciation of Lew and his site that I wrote for the SILS Galley, way back in Fall 2007:

Raleigh resident Lewis Shiner made his name in the '80s as a cyberpunk science-fiction writer, though he has worked many genres as a fictioneer: westerns, hard-boiled mystery, anarchic skateboarders, rock music, fantasy. He won the World Fantasy Award for his 1993 novel Glimpses and his most recent, Say Goodbye (1999), was a bittersweet story of a young woman's indie singing career. He’s written dozens of short stories in his 30 years as a writer, but times are changing for short-story writers. Short stories continue to be written and read, but interested readers have to search them out, and, for genre writers particularly, the short story outlets are pale shadows of what they once were. In a manifesto on his website, Fiction Liberation Front, Shiner says “that whatever future the short story has, the Internet will be involved in it. ”

Although compensation for writers is still an open question, Shiner has decided to embrace “this uncertain future” with his website, which aims to stock all of his short stories, screenplays, fugitive journalism, and other writings -- for free -- under a Creative Commons license. It’s an experiment, of course, and who knows how it will turn out.

In the meantime, read the fiction! Although Shiner is best known for his science fiction, his technical range and emotional subtlety use genre as simply another tool to tell the story. His most personal and white-hot stories center on music: “Sticks,” about a rock-band drummer, and “Perfidia,” about the mystery surrounding Glenn Miller’s death, embrace pain, loss, and personal responsibility. One of his most powerful stories is “Steam Engine Time,” a take on what would have happened if Elvis had arrived on the scene 50 years early. By contrast, “Lizard Men of Los Angeles” is a throat-grabbing thrill- ride on the old sci-fi pulp wagon.

Lew just sent an email today saying two more novels from his backlist -- Frontera and Glimpses (the latter won the World Fantasy Award for Best Novel in 1993) -- are being published by Subterranean Press. They're available through Amazon.com, your local independent bookseller, and -- of course -- the Fiction Liberation Front.


Summarizing the past year

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Sorry to disappoint my skeptically inquiring readers, but I love reading my weekly Freewill Astrology post.

Rob Brezsny's Libra posts for the last three weeks have swirled around the idea of a cycle ending, taking stock, and looking ahead. Here's how his Aug 12, 2010, reading put it:

If you and I were sitting face to face and I asked you, "What are the most important lessons you've learned these last 11 months?", what would you tell me? I think you need this type of experience: an intense and leisurely conversation with a good listener you trust -- someone who will encourage you to articulate the major developments in your life since your last birthday. Here are some other queries I'd pose: 1. How have you changed? 2. What long-term process needs to come to a climax? 3. What "school" are you ready to graduate from? (And by "school" I mean any situation that has been a hotbed of learning for you.)

Well, of course, the use of the word "school" got my attention. And I think he's right about looking at the sweep of the last year for the big lessons, rather than picking away at the details of this or that assignment., or becoming obsessed with today's details while not acknowledging what has happened to me. I think I had a bit of that conversation on my last call with Cairene, and my just recently ended coaching relationship with Christine also raised some good thoughts about the experience.

So, what are the most important lessons I've learned since August 2009? No doubt I'll come back to this post as more stuff floats to mind. No doubt I'm missing more than a few.


David Markson

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I can’t remember how I ran across Markson’s novel This Is Not A Novel, but I found it so fascinating an experiment that I scooped up and read his other novels that followed the same disconnected yet mosaic-like form.

Colin Marshall has written an appreciation of Markson, who recently died, that takes in all of his novels, and the comments led me to this post on the author’s death, written in the late-Markson style.

It’s a potent style that’s quite seductive to adopt. And of course I adopted it in 2009 when writing about Markson’s last books for UNC-CH’s School of Information and Library Science’s in-house zine, The Galley, and which I’ve included below. (I had a stringent word-count to meet, hence its painful brevity.)

Suggested headline: This Is Not A Book Review

Commuting from the Park & Ride lot, I read these books, one by one. You can read 10 pages in a very short time.

Unusual they are, with sometimes awkward syntax. With about 14 one- or two-sentence blurbs to a page. Sometimes only fragments.

Every page filled by remembered passages of verse or prose, quotations, anecdotes, the detritus and gossip of artists’ sad lives. The “residue of a lifetime’s reading,” says the back-cover blurb.

A melancholy book. With one or two jokes thrown in.

You’re left to intuit what’s really happening at its center. Rather like contemplating the negative space in a painting. It’s weirdly fascinating and absorbing.

Markson claims that not one fact is repeated among all the books.

Reader’s Block and This Is Not A Novel are the first two books, and are the best. Markson has found a new, challenging, avant-garde form, and plays with this odd new toy.

But the third book, The Last Novel, feels too deliberate and planned.

Give them a try. They’re at Davis Library. I bet you’ll read more than 10 pages at a time.

Updated on 2026-04-13

Assorted links

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From dr to mr

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Over the July 4 weekend, I faced the fact that I was not enjoying the PhD experience. I discovered the limits of my capacity for the amount and velocity of work that poured into my life. I survived and that was as much of an accomplishment as I can claim.

Based on what others had told me about their experiences, I was not the only one going through changes and wondering if this was really an experience I wanted. I kept waiting it out, expecting it to get better or for me to get more motivated or to discover the spark that would light a passion for what I had intended to do. I never caught the spark and I never found a way to make it enjoyable. I got perhaps a grim satisfaction out of pulling rabbits out of hats, and decided that I did not want to live under that kind of pressure all of the time.

I never really adapted to the pace and wound up not performing to my and others' expectations in several areas.

As one of my coaches said, at this point in my life, it's OK to not want to make the sacrifices that are necessary to get the degree.

During my single year in PhD-land, my primary focus of research was myself. I learned a lot about my beliefs, the unchallenged rules that governed my life, and other inner mysteries. I learned how to take care of myself in a crisis (real or perceived). I discovered new ways to manage myself and my emotions.

Had I known what I would go through, I would probably still decide to do it, because I'd think, "Ha! I can figure out a way around that." And I would have fallen into the same traps again.

Next steps? Finish my master's degree. Underschedule my fall and spring semesters so I can finish my master's project. Have the student experience that I wanted to have. Graduate in the spring and invite my parents to come take pictures (I started work on my master's in 2006, after all -- I deserve to dress up!). And, think about the big question I've avoided answering for 25+ years: what do I want?

So, as this blog's title says, "Learning as I Go." Still going, still learning.

 

Science is boring!

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Interesting confluence of views from today's feeds: Let's face it, science is boring - science-in-society - 21 December 2009 - New Scientist "Science is not a whirlwind dance of excitement, illuminated by the brilliant strobe light of insight. It is a long, plodding journey through a dim maze of dead ends. It is painstaking data collection followed by repetitious calculation. It is revision, confusion, frustration, bureaucracy and bad coffee. In a word, science can be boring."

Medical Hypotheses: Why are modern scientists so dull? "How science selects for perseverance and sociability at the expense of intelligence and creativity"

Fall 2009 chicken

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Taking a leaf from Havi’s Friday Chicken, this post will review the semester just past, but with a few additional headings.

The Hard

The Good

The Questions

Lessons Learned

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“Our whole life is an attempt to discover when our spontaneity is whimsical, sentimental irresponsibility and when it is a valid expression of our deepest desires and values.”
Helen Merell Lynd