From J. L. Carr’s 1980 novella “A Month in the Country" :
We can ask and ask but we can’t have again what once seemed ours forever — the way things looked, that church alone in the fields, a bed on a belfry floor, a remembered voice, the touch of a hand, a loved face. They’ve gone and you can only wait for the pain to pass.
“One, don’t wait for inspiration, just start the damned thing. Two, once you begin, keep on until the end. How do you know how the story should begin until you find out where it’s going?” These rules saved me half a career’s worth of time and gained me a reputation as the fastest writer in town. I’m not faster. I spend less time not writing.
Roger Ebert
So why do it? The answer is that it’s a drug – and once it gets in your system, it’s difficult to break the habit. In any case, despite the withering odds, if you’re an actor, you’re a dreamer. As David Mamet put it: “Narrative always wins out over statistics.”
Her gentle chiding curbed any chance that Mr. Seeger’s ego would balloon. “I hate it when people romanticize him,” she said. “He’s like anybody good at his craft, like a good bulldozer operator.”
Don’t expect too much from human life—a sorry business at the best.
Hence my official position: it’s fine to abandon books or other projects – but you’ve got to really abandon them, not let them fade amid vague intentions to finish them some day. “It cannot be said often enough that one should not postpone; one abandons,” said the management expert Peter Drucker. Give the unassembled bookshelf to someone who wants it; throw the beach-read into the sea. Make abandonment a positive choice.
The Rise and Fall of Mr. Zip
Informative and fun little article on the US Postal Service's push to get Americans to add a 5-digit ZIP code to their envelopes and post cards. The effort started in 1963 and it took almost 20 years before Americans changed their habits -- or knuckled under, depending on your point of view.
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Interesting slice of Americana, with a special role played by an, at one time, iconic -- though now largely forgotten -- cartoony character.
The campaign began with the name itself — ZIP. It was a good name. ‘ZIP’ sounded a lot friendlier than Zone Improvement Plan, the Orwellian phrase for which ZIP was an acronym. At the same time, ZIP said speed. Mr. Zip — a hand-drawn, wide-eyed little postal guy — became the face of ZIP code promotional efforts, the embodiment of the harmless yet zippy quality of ZIP codes. (‘Mr. Zip’ was also a significant improvement on Mr. Zip’s original name “Mr. P.O. Zone”.) Mr. Zip was speedy and clever, like other American cartoon heroes: Bugs Bunny or Speedy Gonzalez or the Road Runner. After July 1, 1963 Mr. Zip was everywhere. Americans would turn on their radios or televisions or open a newspaper and there was Mr. Zip, banging the drum for ZIP codes.



