Ostentatio genitalium (the display of the genitals) refers to disparate traditions in Renaissance visual culture of attributing formal, thematic, and theological significance to the penis of Jesus. That these images seem to have been created in good faith, with pious intentions, mystifies art historians, and many refuse to recognize the category as noteworthy or distinct from the nudity of angels and putti. Yet, as examples accrue, the conspicuous attention lent to Christ’s phallus cannot escape even the most disinterested gaze. “It is no exaggeration to say that this has probably been the most taboo topic in Christian thought for two thousand years”, writes Stephen Sapp. In contrast to classical sculptural conventions, which — with exceptions like certain herma and statues of satyrs — often showcase male genitalia in a state of flaccid modesty (akin to Michelangelo’s Risen Christ), these Renaissance images shock us because they are so frequently ithyphallic: Christ has risen, but not in the way we have come to expect.

Source: Ostentatio Genitalium in Renaissance Art – The Public Domain Review

Is there a German word for being surrounded by stacks of once-feted, now forgotten novels piled in a deeply haunted basement wondering, “What if this is where my book ends up?”

Three years of German in high school didn’t offer an ample enough vocabulary. Thankfully, English has a word for this: sadness.

Source: What Working at a Used Bookstore Taught Me About Literary Rejection ‹ Literary Hub

At a Tom Stoppard Q&A session at Duke University, a professor noted that Stoppard has said he can’t resist “fiddling” with a play when it’s being revived or restaged. The prof asked what constitutes “fiddling” and how much of it did he do?

Stoppard replied, “How much fiddling I do depends on how much of Rome is burning at the time.”

-from rescued notes made in the 1990s

“It’s fantastically exciting to discover something that’s been lost all this time, but I do think it is also worth simultaneously holding the thought that actually, the only reason these fragments have survived is because at some point, someone thought the manuscripts in which they appeared were not valuable as anything other than waste. There’s a sort of lovely tension in that, I think.”

Source: Fragment of lost 12th-century epic poem found in another book’s binding | Books | The Guardian

Note: One of the interesting curiosities of history is that most paper has survived by accident. And for all the benefits that digitizing old manuscripts has brought us, there’s no substitute for good old-fashioned hands-on examination of the artifact.

Ostentatio genitalium (the display of the genitals) refers to disparate traditions in Renaissance visual culture of attributing formal, thematic, and theological significance to the penis of Jesus. That these images seem to have been created in good faith, with pious intentions, mystifies art historians, and many refuse to recognize the category as noteworthy or distinct from the nudity of angels and putti. Yet, as examples accrue, the conspicuous attention lent to Christ’s phallus cannot escape even the most disinterested gaze.

Source: Ostentatio Genitalium in Renaissance Art – The Public Domain Review

Today’s Pome was too good not to share:

Pattern

Your dress waving in the wind.
This
is the only flag I love.

Garous Abdolmalekian
trans. Idra Novey and Ahmad Nadalizadeh (2020)

We are all outcasts; that is what drives advertising. All hoping to become swans, not knowing that we already are.

Vicki Woodyard